USSR Rock ‘n’ Roll History 1980: ‘Aquarium’s Finest Hour’

Aquarium won no laurels at the Tbilisi-80 Festival, but their participation made it arguably the most important event in Soviet rock history, as the group managed to create their own scandal in the concert hall.

The Russian rock critic and impressario Artemy Troitsky recounted the event as follows:

AQUARIUM’S FINEST HOUR

Aquarium played one of the best concerts of their career; there was more electric rock than in their Moscow concert, and several excellent new songs appeared:

Give me my piece of life,
Before I get the outta here!

–”Piece of Life”

Sometimes I think we’re heroes,
Backs to the wall,
Afraid of no one –
Sometimes I think we’re just scum.

– “Heroes”

And “Minus 30,” probably my favorite from Aquarium’s repertoire, a mid-tempo number built on a hypnotic riff and ritualistic vocal build up influenced perhaps by the work of Jim Morrison and Patti Smith:

Today there’s snow on the street.
It’s minus 30, if the announcer’s not lying.
My bed is cold as ice,

But this is not the time to sleep.
Only the dead could sleep in this place.
Forward, forward!

I don’t ask for good, and don’t seek evil.
Today I’m among you again,
In search of warmth.

The girlfriend I was with at Tbilisi at the time knew little about rock music but was knowledgeable about theater. The concerts were fairly boring for her, poor thing, but Aquarium caught her eye. “This is almost Brecht,” she said approvingly.

And when I stand in the Saigon*
People come in on their own two wheels.
The big shots come in big cars
But I don’t want to be one of them.

(* Nickname of a popular café and hangout in Leningrad.)

Against the background of our relatively respectable rockers, Aquarium looked like a real band of rebels. When Boris began stroking his guitar against the microphone stand and then lay down on the stage holding his (borrowed) Telecaster on his stomach and clanging on the strings, the entire judging committee stood up and demonstratively left the hall, as if to say, “We bear no responsibility for the performance of such hooligans.”

The concert, meanwhile, carried on. The cellist Seva hoisted his instrument atop the still supine Boris and began hacking with his bow while the bassoonist circled them, gesturing with his sinister-looking instrument as if shooting the entire outrageous deformity. Georgia hadn’t seen the likes of this before; half the audience applauded furiously, while the other half whistled in indignation.

All this, though, was nothing compared to the goings-on in the lobby. For some reason, the Philharmonic’s directors were calling the scene on the stage a homosexual demonstration.

“Why did you bring those faggots here?” a despondent Gayoz asked. Their complaint was completely unexpected.

“Why faggots? They’re normal guys. That’s just their stage show. A bit eccentric …”

“Normal guys?! One lies down on the stage, the other gets on top of him, the third joins in too. They’re degenerates, not musicians.”

The next point in the indictment against Aquarium concerned the song, “Marina,” which has these lines:

Marina told me
That it’s clear to her;
She is beautiful,
But life is useless,
And it’s time for her to marry a Finn.

Grebenshchikov decided that the last line was a bit too bold [it suggested she was marrying a foreigner in order to get out of the USSR], so instead of “to marry a Finn” (Finna) he sang, “to marry Eno” (Ena), which preserved the cadence and rhyme. But the judges, naturally, didn’t know who Brian Eno was, and to them it sounded like “to marry her son” (sina), which, naturally, was taken as another manifestation of sexual perversion.

At first the organizers wanted to expel Aquarium from the festival on the spot, but they softened after lengthy “clarifications” by Boris and myself. The group even played a second concert, in the town of Gori in a spacious, freezing circus hall located 100 meters from the birthplace of J.V. Stalin. This show was filmed by a Finnish TV crew and segments were included in their 40-minute film of the Tbilisi festival called “Soviet Rock,” which likewise included clips of Time Machine, Magnetic Band, Autograph, Integral and a jazz rock group from Turkmenistan called Ganesh.

The real problems began for Aquarium on their return to Leningrad, where their rivals in the local rock Mafia had already rushed to brief leaders of the city’s cultural establishment on the Tbilisi epic, suitably embellishing the details. After which Aquarium lost its rehearsal space and Grebenshchikov lost his laboratory job.

The legend began to grow.

[Excerpted From "Back in the USSR: The True Story of Rock in Russia" by Artemy Troitsky (1988).]

http://www.aquariumband.com/pub/doc_at1.html

Duration : 0:8:1


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25 Responses to USSR Rock ‘n’ Roll History 1980: ‘Aquarium’s Finest Hour’

  1. kintelen says:

    krabbrace
    It`s “The …

    krabbrace
    It`s “The Death of King Arthur”, poems by Thomas Malory, 15-th century. Music was written by BG in 70-ths. The song was once recorded in studio for his first album in USA “Radio Silence” (1989).

  2. krabbrace says:

    What’s the song …
    What’s the song towards the end? Love it!

  3. leonvicimutlu says:

    clict Rak’n Iced …
    clict Rak’n Iced yazin bir bakin yorumlarinizi bekliyoruz

  4. realfuckinggas says:

    DeaDly
    DeaDly

  5. Minstrey says:

    вот посмотришь на …
    вот посмотришь на Бориса, он даёт один из лучших примеров, которые можно найти в жизни – идти вперёд, не смотря ни на что…

  6. seniorfinn says:

    This film was shot …
    This film was shot by a chilean cameraman Cristian Valdes. The director was Ria Karhila from Finland – she also made the interviu with BG. The soundman was Ilgis Sharafutdinov from Moscow.
    16 mm colour, positiv. Arriflex and nagra. For all the groups incl. Aquarium this was of course the first professional shooting.
    Without Artjom/Artemy Troitski the film would´nt be possible to shoot.
    The first screening was on Finnish State Television in 1980.

  7. FinnishKnife says:

    wow
    wow

  8. DNLARS145 says:

    You should also see …
    You should also see Akvarium’s first music video posted by drovanes. He said it from 1980-81, but I left several questions concernig about how it got published and I was hoping you can find find some answers.

  9. athensoh says:

    well, jobless …
    well, jobless people weren’t encouraged in the Soviet Union, but they wouldn’t be arrested too. In 1980, the state system was already too lazy and had bigger problems than arresting rebel, “insane” musicians.

  10. DNLARS145 says:

    Yeah, I do…. …
    Yeah, I do…. strangely, why wasn’t he arrested while waiting a month to find another job? (he was fired from his teaching job for a time)

  11. athensoh says:

    I am :) did you …
    I am :) did you like what BG said?

  12. DNLARS145 says:

    Damn!!! How do you …
    Damn!!! How do you know Russian so well?!! Are you a native speaker? (I consider native spekaers ALL who reside from the Baltic, the Black Sea to the Pacific, not just ethnic Russians)

  13. athensoh says:

    Q. So, what is your …
    Q. So, what is your genre?
    BG: We are called ‘punk rock’, ‘new way’, but we are returning to the beginnings of rock, as Martin correctly said. We are giving the original sense to rock…
    Q. What is it?
    BG. I.e. it’s music for young and a free music. It’s not pop music, adhered to some conventionality.
    Q. How does audience accept you?
    BG: We play rarely, but when we play, we are accepted…mm, well…usually. [Smile]
    –END–

  14. athensoh says:

    Q. Who is composing …
    Q. Who is composing music and writing lyrics for you?
    BG: All musics and lyrics is written by me, but then the entire band decides whether it’s good and makes corrections.
    Q. What’s the value of your music?
    BG: The value is that (our) music doesn’t adhere to standards, it’s pushing out of all templates…
    Q. What does this mean?
    BG: We play what we want. That’s why we are not professionals, rather amateurs.
    Q. What do you want to play?
    BG: Music, as much as possible. Various music..

  15. athensoh says:

    Q. You are not …
    Q. You are not professional singers. What is your profession?
    BG. I am a sociologist with mathematical education.
    Q. What about other guys?
    BG. Our bass guitarist is a computer engineer. Our violoncello player is a musical editor of the recording firm Melodiya (in Leningrad). The bassoonist and flute-player are professionals, as well as the drumer.

  16. athensoh says:

    Q. How was Aquarium …
    Q. How was Aquarium created?
    BG. Aquarium was created as a community of people with good attitudes to each other, helping each other and practically living together. Spending time together, sharing thoughts, i.e. such a community as Grateful Dad, I’d say – I have discovered this only recently.

  17. DNLARS145 says:

    bide your time… …
    bide your time… just gimme the basic ideas

  18. athensoh says:

    I could translate, …
    I could translate, but it’s 3AM – too much to type. :) Maybe some time..

  19. DNLARS145 says:

    What is Boris …
    What is Boris saying at the interview? Who can translate that?

  20. zwoulamou says:

    yes, mitya123. Do …
    yes, mitya123. Do you know this film? How can I found it? I look at Czech Republic and in Greece and now I’m live in Australia and i’m looking for it. I can’t found it. Please, if u known something tell me.
    Thanks, Katerina

  21. mitya123 says:

    white bim – black …
    white bim – black ear

  22. burzum2 says:

    тебе тока аквариум …
    тебе тока аквариум и слушать хххх

  23. ZemonerZ says:

    idi na huy
    idi na huy

  24. burzum2 says:

    дааа … а от тебя …
    дааа … а от тебя несёт интелектуальной деятельностю xD

  25. teplep says:

    It’s not so …
    It’s not so horrible in Eastern Europe as you think it is GoldWc :) at least in Lithuania, Latvia and Estonia…

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